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1. #Layers of fear 2 monster chase how to#
2. #Layers of fear 2 monster chase full#
3. #Layers of fear 2 monster chase series#

I could divide my favorite games into two piles. Not every sequence works, and Bloober Team has a tendency to go for the jump-scare when they should show restraint, but even still, I was ultimately glad I played through it. Still, while those sequences are a chore, there are enough hours of tense exploration in-between to make the journey worthwhile.

Especially in a post- Slenderman, post- Five Nights At Freddy’s world where you can’t browse Steam without tripping over twenty horror games exactly like this, it would have been a welcome breath of fresh air if this game avoided “Game Over” screens entirely. That this game has fail states at all seems entirely unnecessary.

#Layers of fear 2 monster chase how to#

From there I’d have to figure out how to avoid death-often dying a few more times along the way-before finally getting back to the enjoyable exploration. In nearly every sequence like this I’d be skulking along, waiting for the next scare, when a monster would appear and flash an obnoxious, Slenderman-esque “Game Over” sequence in my face. Sequences where the game can kill you may only happen once or twice per chapter, but they are almost all incredibly unpleasant and unfun. As much as some of the psychological horror moments will stick with me, it’s the terrible, punishing, trial-and-error chase sequences that I’ll probably remember most.

#Layers of fear 2 monster chase full#

It’s a shame then that I find it really difficult to give this game my full endorsement. Toss in some very David Lynch/ Twin Peaks-esque touches, and the end result is a game that was extremely my jam for many hours. Layers of Fear 2 seems to understand the power of level design that those older games were built upon. And it might be a deep cut, but I still think back to some of the massive, hellish mazes of Shadowman on the Dreamcast. Doom and Quake still have cooler horror aesthetics than a lot of modern games. If you ever thought that games were creepier in the early days of polygonal graphics, when environments were more abstract and strange, then I’m right there with you. That playfulness in the level design made me nostalgic for some of my favorite horror games of the past. One moment you’re opening bulkhead doors, and the next you’re navigating a crowd of mannequins while a trio of stark apartment buildings loom overhead. The game is set on a cruise ship, but there are really no rules. If the transition of Silent Hill from a foggy town into a rusty, chain-link hellscape makes you equal parts excited and horrified, then you’ll find a lot to love in Layers of Fear 2. Really, it’s the immediate movement through the environment that’s the star. There’s a story there, sure, but it’s revealed in such an opaque manner-through multiple playthroughs and endings-that I found it hard to get much meaning out of it. before it), the real point is to move through the linear environment and see how many tricks the developers have up their sleeves to confuse, unnerve, and scare you.

Before long, that premise gets a bit lost in a surreal maze of shifting hallways and doors. Notes left around the environment suggest you’re supposed to “find your role”, become a character, and peel away the layers of personality required to inhabit someone else. You play as an actor aboard a cruise ship helmed by a famous director (voiced by Tony Todd). But while Layers of Fear 2 rides high on evocative imagery and psychological horror, it stumbles in an attempt to provide more substance.

#Layers of fear 2 monster chase series#

It’s that last example that Bloober Team’s Layers of Fear series seeks to capture, and, just like all those aforementioned examples, its successes come entirely through style, visuals, and audio. became notorious for getting under players’ skins with little more than a single, creepy hallway. Meanwhile, some of my favorite games are simple rail shooters like Rez and Panzer Dragoon, which focus entirely on the interplay between visuals, audio, and pacing to create magical moments. Asura’s Wrath, a game constructed almost entirely of quick, on-screen button prompts and shallow combat, is remembered fondly for its outrageous story and epic battles. With the right aesthetics and style, a game, or any piece of media for that matter, can get away with a lot of other shortcomings.